For our short film we did use a ranger of different technologies to experiment with during the editing and production of the film. Of course we used a small camcorder which we borrowed from our college to film. We looked at all kinds of codes and conventions which Social Realism short films tend to have:
- Hand held
- Jittery/shaky camera movement
- Fast editing and quick camera movement to build up the suspense and tension.
- Slow flash backs etc.
Because me and my partner have watched quite a lot of different short films and even some social realism ones, we have picked out quite a few important key factors to then be able to discuss them and use them in our film. Of course because this is only a short film and due to a lot of travel limitations we were not able to use typical British Iconography (e.g. London Bridge, red buses, taxis) and also because for our social realism it wasn't really necessary to show typical iconography. Although we did use some dominant ideology to show what topic our film is based on. We uses blades for the self harming scene and some of our film was filmed at a park, this is quite a 'normal' place to film a short film. Because our film did not need a lot of special effects or such because it is not of a science fiction genre we did not have to use very complicated camera or editing techniques. I wouldn't say this has made making a short film any easier because it is just as hard work making a social realism short film as it is making a sci-fi film but I feel as though the editing has come out a little easier. Our film is no longer than 6 minutes which is like a lot other shorts films which tend to be about 4-5 minutes long anyway. One thing I personally like about our film was that the ending was not all clear and this made it seem quote like a warning message or even a propaganda of some sort. I have noticed that this is a quite common thing in a few social realism short films where the ending is left unfinished. It is like another way letting the audience decide what can happen next, or a way to let the audience leave the room still thinking about what could have happened.